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MUSEUM VISITS

24

JANUARY

Maritime Museum

Aberdeen

They use a variety of methods to educate visitors--images, text, video, timelines, objects, interactives to simulate and manipulate objects.

 

     The first encounter with the large "fishbowl" was a nice visual, but I had wished there was more text to inform me about what I might encounter through the museum. While each object had a small label accompanying it, an additional wall panel would have been a nice addition. I could gather that these items displayed were likely a mixture of the themes and objects to come, but I had wanted for more text to re-assuure me of this and to introduce me to the exhibit. In addition to the fish bowl there was a covered boat deck that visitors could walk in, oddly placed at the back of the boat deck was a chest of toys and maybe a few dress-up items that appeared to be pirate themed. While I know that it is the maritime museum, there was very little information about pirates noted anywhere else and just thought it odd to incorporate this small chest as a "pirate thing" for what appeared to be a sad attempt to cater to children. I had only wished this were slightly more accessible (in an area that people actually walked by) and "done-up" a little bit more if they were going to go there. If they were going to incorporate a pirate dress up/toy area I felt it should have been done better. There was no real educational or learning tie, it felt like a misrepresentation of all of the other items and objects on display in the museum. 

     The oil section looks as though it's the most recently renovated display with eye-catching graphics and text panels that provide short and informative descriptions, but then layered more detailed descriptions for those who wish to know more than what you can see from a quick glance. The use of objects is good, not too overwhelming as some displays can be. Creating real spaces that visitors can see and interact with like the cabin bunks and lockers on the upper level and that have been built to replicate an oil rig's living quarters is a great way of bringing text or descriptions to reality. Similarly, the ROV (remote operated vehicles) display where visitors can operate a mini version is a great way to engage visitors in a hands-on, interactive way. This display uses the knowledge building technique (constructivism) as it relates how the ROV operates and functions using the assumption that the visitor might have some prior knowledge of buoyancy and gravity in water. While admittedly, most things maritime are not the most thrilling thing in my opinion, or something I'd readily seek out, I did enjoy the center section on oil far more than I think I would have in any other context. The museum staff has done a good job of breaking down many aspects of this topic into digestible and easy to understand information. I found the ROV interactive to be fun and informative as the only context I had for these devices was to lift debris from underwater wreckage sites, like in the movie Titanic. There was another "touch and feel" activity on the same level as the ROV and it was about marine pollution. Visitors could lift the flaps and touch and feel plastic shells and starfish. I wasn't quite sure what this had to do at all with marine pollution. I could understand having two shells (one that's been affected by pollution and one that's not), but just one shell seemed odd. I was pleased to find on the upper level, a display about oil and it's role as a finite resource as well as its implications for damage to the environment. I wonder how the museum was able to discuss these topics while maintaining oil sponsors and funders? How was that conversation approached? I can't remember if that section had any sponsor information. 

     It's unfortunate that the building is laid out the way it is. It appears as though the museum has tried working with the current layout as best as they can and have made distinct vertical galleries to accommodate the awkward arrangement of rooms, but it is difficult to experience the museums on a horizontal level because I felt as though I was bouncing from topic to topic across the level I was on. The oil displays appear to run through the center of the museum with the maritime and ship building on one side and art and fishing appear to exist on the other side. While the oil exhibits were very accessible to children and adults alike, I felt like both sides lacked that same level of accessibility. Very few interactives existed on either side of the central portion of the museum. I found the maritime and ship building side just slightly more accessible as the exhibit appeared to be modeled as if on a boat with wooden floors and exposed beams. Physical objects from boats were present and integrated into the display, so instead of looking a photos of an architect's drawing room, you could actually walk into a replica. Unfortunately the fine art and fishing displays barely held my attention, which is unfortunate because I really enjoy fine art. I liked the concept, but felt like stories behind the art was missing from the display. Without the context it felt like it was just a pretty painting. 

     I really had wished I had a tour guide to give me more context for the displays on the outer sides of the museum. I was perfectly fine exploring the oil exhibit and felt like I got something out of it, but would have liked a little more guidance and relevance for the other exhibit spaces. 

The location of the museum is really great, I enjoyed learning about the oil industry and boats and then having the opportunity to see those things in real life out the big picture windows from the top level. It really gives relevance to learning. 

06

FEBRUARY

The Gordon Highlanders Museum

Aberdeen

Some student groups can touch while others aren’t allowed hands on object handling, others need specific teacher permission

 

Boys want to know about war but trying to get people to understand that it’s not necessarily about war, but instead about the people!

 

Museum guides tend to skim over some of the initial collections to get to the world wars

 

Significance of piper who was the first one in and without a gun on the battlefield. Creating idea of what it would have been like and start children’s imagination going (try to think what it was really like) a lot of pipers died.

 

Pull outs on display for additional text information

Cubby doors with touchable objects (mini bagpipes and feather from military hats)

 

Interactive screens that are touchable

 

Asking children how much they think a Victoria Cross would cost (about $1M) and hand children a replica. Why would you be awarded one?

 

Passion of the tour guide helps to remember learning and brings story to life

 

Bunker replica which kids really like gives them an idea of what it might be like to have lived in a bunker. Allows for imagination

 

What would it have smelled like in the trenches? Trench smell box for kids to smell in the learning suite—use of sense to teach and engage learning

 

Smaller groups of students are better (Same as maritime analysis)

 

Stickers around the museum as a scavenger hunt and kids get a lollipop if they get them all

 

Can connect your phone to an app and up pops new pieces of information as you’re touring around the museum

 

Questions in workbook

Helping to get kids in the mindset of the soldier

Pick out a soldier in the miniature display and describe your surroundings—using their imagination kids are able to describe what they are seeing, hearing, smelling, and feeling. (They are scared, proud, happy, rush of adrenaline)

 

Dress up area with various uniforms and backgrounds

Armory room is displayed as collections room storage to show visitors what storage looks like

 

Temporary (hallway) exhibition: Look at art and then be able to dress up in the things shown soldiers wearing.

 

Handling session:

Look at the items and see where the items are in the model

 

Use of primary sources—original documents of one soldier (postcards, Christmas card) and kids can find out primary info about him

04

FEBRUARY

The Tolbooth

Aberdeen

     The Tolbooth museum in Aberdeen is tucked away in the corner of a main intersection downtown. While they use a sandwich board-type sign, to draw in visitors it is difficult to pass by without noticing its location if you aren't looking for it. The architecture of the building is interesting and from a learning perspective it is fascinating knowing you're standing in a place where hundreds of years ago a prisoner was standing. While the use of place/location/atmosphere I think makes the museum most interesting and engaging from a learning perspective, this museum would be difficult for younger audiences or those who prefer a less text-based approach to learning. The museum's main vehicle for learning is text. While much of what is written in the text was interesting, I did find myself bored on a few occasions, quickly skipping over sections. One room's display style was slightly different, utilizing motion-activated recorded speech, a wall-sized timeline, and object based displays in the form of prison diaries. While the objects were encased in glass, there was a transcribed version that had been laminated and enlarged for easier reading by visitors. Further up another set of stairs were the smaller cells. Mannequins were eerily placed in these rooms accompanying more text and in one room a few more objects. One object in particular that I remembered was the "Scold's Gag". Women who had been caught gossiping would have been forced to wear the helmet like contraption and on occasion "a pair of reins would be attached to the bridle and the woman would be whipped through the streets of the burgh." In the same room as the gag, a wall panel showed a list of those convicted and jailed in the Aberdeen Tolbooth and their various crimes. While there were those accused of murder and theft, most appeared to be debtors. There was another story outlined about a prisoner who was given a set of keys and given a curfew to return each evening. 

     On the way out of the museum, the small group I was visiting stopped at the entrance desk to ask a few questions. I had initially wondered if there was any elevator in the building, as the treacherous stairs seemed to make it nearly impossible for displays to be placed on the second and third floors. The two people at the desk explained that there is a staff elevator that is connected to the adjacent court house, making it possible for the displays to have been installed, but that there is no public access to these lifts. It was interesting to learn that the court house was right next door and that this would have been the case when the museum actually operated as a prison. The staff went on to explain that the gallows would have been just nearly outside the door and that if you looked hard enough you could see the difference in the bricks on the street, indicating where the last public hanging would have taken place. When asked about the prisoner who had keys and a curfew, the staff said that this was quite common in this time for the rich who could essentially pay their way out of spending time in jail. It was interesting to observe that while it's been hundreds of years between now and then, crime and punishment and  for the rich hasn't changed much. 

     The visit was quick, maybe lasting 30-45 minutes, but as the Tolbooth is a small place I didn't feel as though I'd really missed anything. I was, however, glad that we'd stopped to ask questions at the end of the tour as I felt that interaction with the staff was the most interesting part of the visit. I had only wished there would have been the opportunity to hear those things earlier on in the visit so that I may have been able to engage more with the objects and displays while I was exploring them initially. As with the Maritime, I was left wanting a tour! I felt as though I was lacking insider information that could have really elevated my excitement about learning and understanding.

18

FEBRUARY

The Borders Textile Towerhouse

Hawick

Utilizes small typed labels. Very little interactive in temporary exhibition.

 

Permanent exhibition on ground floor has objects and video with seating area to learn about the history of the tower house.

 

Lighting is not great on objects in the lower tower level, but has good sense of ambiance, it is amazing to think that this tower as survived fire and flood is over 400 years old. The video and artefacts explain that the tower was the center of town life, and today is devoted to the textile industry.

 

Tower served as a hub for social life and political engagement. Several marchers and demonstrations were held outside of the tower over the years.

 

Upper galleries describe the history of knitwear in The Borders.

It was fascinating to learn about the amount of hand work that goes into each garment.

A video and objects in the first room tells the story of wool to sweater over the decades.

 

There is a good mix of text (small labels and large wall panels), video, objects, photos, and hands on, sensory activities for visitors to engage in various learning styles.

 

Hands-on Activities:

            Station to card wool (clean and brush) for spinning into yarn

            Station to try knitting, weaving, and crocheting

            Dressing up area (dress like a sheep farmer)

            Feel fabrics (washed vs unwashed wool and woven plaids)

            Examine the quality of a finished sweater on the lighted machine

 

The second rooms examine the life and history of workers and mill owners. The balance of working and life conditions. Exploring the pioneers of the industry.

 

Tom Scott watercolor painting room

 

Top floor gallery explores Bernart Klein fabrics and designs and the room is established as if you’re stepping into a design studio and later at the side of a runway show.

There are areas to explore the composition of tweed

There is a computer area where you can learn about E-Textiles and see the future of textile design as well as Scotland’s expansion into the world market.

 

Throughout the museum there are hanging panels (and a very interesting tree) that are composed of brightly dyed wool and other textiles. These pieces are examples of community projects which encourage young people to take part. The textiles used were scrap pieces from local workshops and utilized a wide range of techniques to accomplish the project: felting, weaving, crochet, embroidery. This intergenerational, community based project delivered hands on textile workshops that encouraged young people to explore imaginative approaches to learning and to develop various traditional textile skills.

27

FEBRUARY

Maritime Museum

Aberdeen

Oil Gas and Energy object handling that pertains to their in class topic

Then snack

Then going through the museum and filling out a question sheet

 

Teacher tone (authoritative yet informal)

 

4 students out of about 30 have been here before (not with a school group)

 

smelling oil—got kids talking and started the activity with smelling

 

Sources of oil

            Where does cooking oil come from?

            A: Plant oil

Mineral oils are those that come from underground

This is a third oil—animal oil (animal fat melted down)

Where really surprised that it was whale oil (blubber)

Aberdeen used to be a whaling port (1700s)—big industry in Aberdeen

14 ships that went from here to the arctic (what other animls are from the arctic—penguins or polar bears)

Explained process of how blubber from whales becomes oil

 

What was whale oil used for?

 

Demonstrated how oil lamps would have been lit and used with an actual oil lamp that would have been used on a ship

 

Lighthouses

Street lamps

Soaps (cosmetics)

 

Aberdeen’s very first oil industry was whale oil

 

Harpoon-got a lot of excitement out of the group

Hunt for whales in smaller rowing boats

(is a whale a fish?  No it’s a mammal so you they need to come up to breathe!)

26 whaling ports in Scotland alone (French, dutch, English)

 

Harpoons were initially hand thrown

Provided instructions on how to handle the object for safety of the handler and the object

 

Why does it move? (so that it holds onto the whale)

Why would you not want your big ship close to the whale—why they went out in a small rowing boat (how did they maintain their balance and harpoon a whale)

 

People were really surprised by how heavy it was

Why is the end bigger on the harpoon? (hollow and could make it longer with a wooden shaft—easier to throw)

Do you have a lance here that would have been used to kill a whale? (yes it’s on display)

 

We overfished whales and the numbers went down (not environmental reason for stopping—stopped because it wasn’t profitable anymore—technology was improving and whale oil was no longer essential)

 

Other sources of oil are now here to meet

 

Fossil fuel—why is it called that?

            Student explained how fossil fuel was created (based on previous in class knowledge related to their classroom topic)

Natural gas and oil are made in a similar time span

Storytelling by students (my grandma has a boat and I smell that smell when we go boating)

 

Where have you smelled this before?

            Gas stations (transportation)

            Oil based paint

            If you heat up oil at different temperatures you can get different products

BP example box of products produced by oil (explain a complex idea in very simple terms)

What here in this room has been produced with oil?

            Students shared what their ideas

            Synthetic materials (coats, shoes) man-made materials

            Plastic objects in the room

 

Why would a helicopter pilot need to wear this? (what if he falls in the water)

 

Protective suit was tried on by a student and EVERYONE wanted to try it on—a techer had to select a student

 

Hard hats were passed around instead for all students to try on

 

Students raised their hands to ask questions

 

Pass around an object (but don’t talk about it)

            What is the objects? (it’s from the medical collection)

            It’s a hip replacement joint (used to be made from plastic—discovered that plastic couldn’t support the weight of the body—now we use titanium)

 

Brought out a drill bit—students wondered why it was green (corrosion from water)

 

Underwater camera (I’ve seen this before! Said one student)

Remotely operated vehicle (checks the stability of the oil platform underwater)

 

What was the biggest ship wreck in the world? TITANIC!

 

 

IS OIL GOOD OR BAD?

            Most think it’s bad in the room

            But oil is a part of all of our lives!

 

Renewables:

            Wind

            Tidal

            Solar

            Nuclear (most controversial)

 

Students went up to ask question after the formal presentation

 

Providing rules for how to maneuver museum respectfully

No running

Don’t have to whisper (just be courteous to other visitors)

OBJECT HANDLING CLASSROOM VISIT OBSERVATION

03

MARCH

Scottish National Gallery

Edinburgh

Diversify audiences and engaging in conversation with visitors=what do you want?

Adult learning

Learning coordinator

Schools learning officers

Early years and family learning

Visually/hearing impaired/dementia

Family charities

Outreach team—young people…what would be meaningful to you in the gallery?

 

Open up collection to everyone—DIGITAL COLLECTIONS!

Do research for audience segments:

Some people don’t like art, so how do you bring those people in?

            Making art accessible to everyone in other ways

                        Storytelling

                        Music

                        Culture

 

Why are we doing it?

How? (Teamwork, research, community collaboration)

What? Looking at innovative ways to engage people with art

 

Value of cultural learning

            Giving people meaningful access to culture

 

Adult programming

            Lunch lecture program

            Evening/Weekend events and lectures

            Music concerts in gallery

Try to keep everything FREE

            Friday night mixers

 

Art is not generally seen as being accessible to general society

INNOVATION is necessary to reach the general public who see National Galleries Scotland as invisible.

Architecture can seem old and stuffy, there are assumptions about museums and art museums more specifically. How do they work to combat that?!

 

Adult practical workshops

Printmaking and live drawing

 

Adults with additional support needs:

BSL interpretation

Visual and hearing impaired

Every Friday have workshops—chance to meet other people and share and engage with others to find similar interests.

GOOD LINKS BETWEEN HEALTH IMPROVEMENT AND WELLBEING WHEN ENGAGED WITH SOCIAL ACTIVITIES!

 

Partnerships with universities offer research relationships to students and allowing them access to populations of people with other abilities and those suffering from dementia in new and different environments (art museums)

 

Children and Families:

Storytelling (for younger kids)

Summer studio camps: Giving materials and letting them get their own ideas/interpretation (FREE CHOICE IS IMPORTANT IN PLAY AND LEARNING)

 

Utilizing outdoor space—engaging kids with nature and art

 

Schools:

2 free tours/ year for schools

Workshops

Creative exchanges with teachers—young people exploring their own learning putting learning on children instead of adults

Provide resources and lesson plans to teachers and schools in collaboration with museum.

 

Art Competitions: Virtually using online collections

            Pride of children over their artwork on display and prizes

            *It’s impactful for kids to see their art on gallery walls, it sends the message that YOU CAN DO ANYTHING!!

 

BYOB: Bring Your Own Baby program

Social event for babies and parents. Breaking down barriers for ‘screaming babies’ and hopefully beginning lifelong relationship and engagement with gallery.

 

Intergenerational volunteering

 

03

MARCH

National Museum of Scotland

Edinburgh

Audience advocates: learning officials help curators to think about how making this accessible (needs/learning styles of visitors)

 

Frame learning and visitor experience

Play an active role in framed learning

Objects don’t speak for themselves—must help provide interpretation

Interpretation: what are you saying about the object? What do you want someone to take away?

 

200,000 of visitors that come in each year participate in some learning experience/program (families, schools, universities, seniors, young adults)

 

Nature of job change in the museum education/learning field: transition to social model of learning over education model of learning

 

90% of job used to be school learning—changed now to a more diversified model

 

Learning = how you feel (how do you feel when you’re there?) what do you see?, who do you see?, what do you see?, who do you talk to?

 

Partnership with young women’s group to improve mental health and body image

 

Socials for elderly: living with dementia for people suffering as well as caregivers.

 

Programs encouraging female STEM interest

 

Social learning late night events: Live music, wine, gallery tours, curator lectures

 

How would you use the object to teach? Issues around using this object? Who would you use this with (groups)?

 

Funding has driven change into social learning model over education. Investors want proof that their money is doing good!

 

Digital technology changes the lifespan of a gallery!

 

04

MARCH

Scottish National Portrait Gallery

Edinburgh

IMG_0660

IMG_0660

04

MARCH

Surgeon's Hall Museum

Edinburgh

Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images
Courtesy of Google Images

04

MARCH

Holyrood Palace

Edinburgh

tolbooth
gordon
Borders
Maritime learning
national gallery
nms
Scottish National portrait gallery

17

MARCH

Blackwatch Castle & Museum

Perth

27

MARCH

Museum of London

London

Blackwatch
Museum of london
Holyrood
Surgeon's hall
maritime museum

27

MARCH

Tate Modern

London

MUSEUMS & GALLERIES PHOTO JOURNAL

TATE MODERN
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